Sharon and Omi Osun Joni L. Jones co-wrote an essay titled, Black Desire, Theatrical Jazz, and River See, which is published in TDR/The Drama Review, Winter 2014, Vol. 58, No. 4. Edited by Jill Dolan and Stacy Wolf.
Sharon is the subject of many scholarly works including: Matt Richardson’s The Queer Limit of Black Memory - Black Lesbian Literature and Irresolution, The Ohio State University Press; Francesca Royster’s Queering the Jazz Aesthetic: An Interview with Sharon Bridgforth and Omi Osun Joni Jones, in Volume 25, Issue 4, December 2013, Journal of Popular Music Studies; Ana-Maurine Lara’s essay ‘i think i might be broken’: The Reconstitution of Black Atlantic Bodies and Memories in Sharon Bridgforth’s Delta Dandi, in Diasporic Women’s Writing of the Black Atlantic (En)Gendering Literature and Performance, Edited by Emilia María Durán-Almarza, Esther Álvarez López Series, Routledge Research in Atlantic Studies; and Omi Osun Joni L. Jones’s Theatrical Jazz: Performance, Àṣẹ And The Power Of The Present Moment, The Ohio State Press.